An all time classic 60s movie glamourising the real life story of the Barrow gang who terrorised the American South in the early 30s. 'Reclaiming the American gangster movie, after it had been stolen by the Nouvelle Vague, Penn's film was so successful (and so imitated) that it inevitably met with some grudging devaluation. But it's still great, half comic fairytale, half brutal fact, it reflects the essential ambiguity of its heroes by treading a no man's land suspended between reality and fant find out more...

Nothing more can be said about this classic melodrama from the peak of the Hollywood studio-film era. Hardened cynic Bogart softens when he meets old flame Bergman who is now a refugee in neutral wartime Casablanca. Together they outwit the Germans... and of course there's that famous song. Watch this classic or some day you'll regret it. Maybe not today, maybe not tomorrow... find out more...

Lumet's complex and atmospheric thriller is based on a real event. Pacino is superb as the neurotic and incompetent gay bankrobber who needs the money from the robbery to finance his lover's sex change operation. The film's beauty is it's closely detailed psychological observation. Excellent.

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Tense and engaging account of contemporary Parisian street life. The recriminations against the notorious police for an injured friend are realised by a documentary style of film making with voyeuristic undertones. Violently realistic and bitter drama. Excellent soundtrack. find out more...

The Hoover family are your typical suburban American demographic; dad's a failed inspirational speaker, grandpa's a coke snorting lay-about, the teenage son has embraced Nietzsche and abstains from the spoken word, the brother-in-law has just missed out on a successful suicide and the mum….well bless her, she really does try. The young daughter, however, is an upbeat bundle of positive energy and when the chance comes to enter the Little Miss Sunshine beauty pageant the whole family embark on a find out more...

Fantastic Oscar winning film portraying the jury in what appears to be an open and shut murder case. Only Fonda expresses any doubt against the guilty verdict, and combined with the observations of an older man he begins to call the evidence, the witnesses, and the legal system into doubt. find out more...